The Musician's Information to Radio Enjoy and Royalties

Are you a musician trying to get your music played on the radio? This article will walk you through the entire process. From preparing your music to reaching out to the right contacts, this post delivers a step-by-step breakdown. how to get your song on the radio

Getting your songs in the hands of radio programmers is an art and a science. Prior to making any submissions, ensure that your song is radio-ready. Programmers get flooded with music, so grabbing attention early is essential.

Your music should be in the correct format. High-bitrate MP3 files are most common, but you should always check what file type the station prefers. In addition, your file must be properly tagged. Without proper tags, your song might be ignored.

When your song is complete and tagged, you’ll need a radio promo kit. This package should contain a brief biography, a high-quality image, social media links, and your track in clean radio edit and full version. A warm, tailored note can make all the difference.

A huge error many musicians commit is contacting the wrong person at the station. Each radio station has departments and gatekeepers. Always find the exact music curator or radio host that fits your genre. Local, college, and independent stations are more likely to support emerging artists.

Let’s talk money—specifically royalties. Artists earn mainly from performance and mechanical royalties. These are collected by PROs like ASCAP, BMI, or SESAC. Whenever your track is broadcasted, your PRO logs it and pays you. However, Artists only get performance royalties, not master rights in the U.S.

To collect all royalties, join both a PRO and a digital royalty agency like SoundExchange. SoundExchange handles digital streaming royalties from satellite and internet radio.

Even with everything in place, you’re not assured of airtime. What improves your probability? Connections make a huge difference. Engage with radio hosts on Instagram or Twitter. Comment on their shows, share their playlists, and build an organic relationship.

One-off submissions rarely work. Gently nudge them after 10-14 days. Kindness goes a long way in this industry. If they play your track, thank them publicly. This might lead to repeat plays or even interviews.

An effective tactic is to identify shows with a matching sound. Match your vibe with the station’s format. Pay attention to station schedules. Summer often has more opportunities with events and outdoor broadcasts.

If you’re active online, radio will take notice. Share your Spotify stats, YouTube views, or fan feedback. Radio wants artists who already create waves.

Campus stations are gold for indie artists. College DJs love discovering new acts. A college radio spin can lead to bigger things.

You can use music distribution platforms that pitch to radio. These platforms streamline your submission process. Paid submissions might yield better data and tracking.

Stay organized with who you’ve contacted and when. Track when to follow up and what the outcome was. Systematic follow-ups keep momentum.

In the end, getting radio airplay is a mix of preparation, persistence, and positioning. No two submission paths are alike. Stay dedicated and learn from each attempt, your music will get the recognition it deserves.

Now’s the time to build your campaign and go for it. Don’t wait—start spinning your dream into reality.

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